- predavanje -

 AFRIČKI MURALI


30. mart u 18h, Studentski kulturni centar, Kralja Milana 48

govori: Nataša Njegovanović Ristić, viši kustos, Muzej afričke umetnosti u Beogradu

Velika oblast likovnog stvaralaštva u zajednicama južno od Sahare - MURALI, imala je u svojim počecima uporište u pećinskom slikarstvu i u umetnosti body arta. S obzirom na to da su murali i body art, obe likovne discipline, nastajale i trajale u određenim društvenim i religioznim okvirima, njihov perceptivni domet kretao se, uslovno rečeno, u mikro okruženjima koja su na određeni način dovela do analognih postupaka u izboru i samom izvođenju likovnog dela što je, u krajnjem slučaju, dovodilo i do analognih rezultata. Bez obzira na to da li je u pitanju ljudsko telo kao podloga ili zid kuće, umetnik je imao isti pristup i želju da „svoje platno“ ulepša i učini drugačijim od postojećeg, vodeći računa o samom telesnom obliku ili o postojećoj arhitektonskoj formi. Najveća sličnost ogleda se u izboru geometrijskih, floralnih i ornamentalnih motiva koji su identično sprovedeni kako u dekoraciji i boji, tako i u likovnom rukopisu.

Predavanje će biti održano na srpskom jeziku, ulaz slobodan.

MUZEJ AFRIČKE UMETNOSTI

Adresa: Andre Nikolića 14, 11000 Beograd, Srbija

Tel: + 381 11 2651 654

Tel/fax: + 381 11 2651 269

e-mail: africanmuseum@gmail.com

- public lecture –

 AFRICAN MURALS

30. March at 18h, Studentski kulturni centar, Kralja Milana 48


by Nataša Njegovanović-Ristić, senior curator, The Museum of African Art in Belgrade

The vast area of fine art creativity among the communities south of the Sahara – the MURALS – had its beginnings in the cave paintings and the body art. Having in mind that both of these fine art disciplines – the murals and body art – took root and developed in specific social and religious background, their perceptual domain was present in the micro surroundings. The same surroundings made certain analogies possible, in terms of procedure of choice, as well as in the making of the artwork, which led to, consequently, the analogous result. No matter is the human body or the wall of the house the surface, the artist had the same approach and wish to make his ‘canvases’ more beautiful and different from the existing artworks, taking care of the physical shape or the architectural form in question. The greatest similarity could be noticed in the choice of geometrical, floral and ornamental motifs, identically conducted in decoration and colour, as well as in the art writing.

The lecture will be held in Serbian language. Entrance is free of charge.

MUSEUM OF AFRICAN ART

Adress: Andre Nikolića 14, 11000 Beograd, Srbija

Tel: + 381 11 2651 654

Tel/fax: + 381 11 2651 269

e-mail: africanmuseum@gmail.com